When you get down to it, composition is really an abstract concept. Sure, it’s arranging things inside the little box created by your camera, but how you go about doing that isn’t necessarily rules-based. For example, you might find that using the rule of thirds for one landscape photo works great, but that breaking the rule of thirds for another gets you the best photo.
In the video above, Andy Mumford offers up an excellent tutorial on landscape composition. His tips shed light into his workflow and how he’s able to create landscape photos with life, vitality, and interest. Follow along in the video, and for a play-by-play of each tip, read on below.
First Things First: Understand How Your Camera Sees Things
When we stand before a landscape, our eyes automatically adjust and edit the scene. That is, they help make sense and order out of the chaos by helping us focus our attention on the most important features and eliminating those that don’t require our attention. However, our cameras cannot do that. They capture every single detail which, left uncomposed, has the potential to overwhelm viewers as they look at the photo. So, composing better landscape photos requires you to simply understand that your camera needs help to create order and balance in the shot. Here’s how to do that.
Use Leading Lines
It’s not good enough to simply point your camera at something pretty. In the image above, you can see that pointing the camera at an interesting rock formation doesn’t result in a very good photo. There’s no depth or interest in the image.
However, in looking at this shot, you can see how adding something as simple as leading lines helps create a much better photograph. Instead of there being massive areas of the photo that provide nothing of interest, now we have something that moves our eyes from one area of the photo to next, creating a more dynamic viewing experience. The lines in the image above help pull our eyes deeper into the shot, from the foreground to the midground to the background, so that we experience the image as a whole.
Arrange the Proper Object Placement
Not every landscape scene you photograph is going to have obvious leading lines. However, you can help create leading lines or other means of visual interest by working on where you place objects in the frame. In the photo above, Andy used the placement of the barnacle-covered drum in the foreground as an alternative to leading lines.
Notice how the object is placed low in the frame, that way it grabs our attention in the foreground. But also notice how it’s placed directly in line with the interesting rock formation in the background. That was done to help connect those two objects, which helps move our eyes deeper into the shot (just like a leading line!).
Try Isolating Objects
Sometimes, isolating the subject in the shot actually does the photo more good than trying to incorporate foreground elements as described in the previous tip. In the shot above, Andy purposefully worked to eliminate details from the scene so that the mangrove tree retains our attention. So, he moved closer to the tree to eliminate areas of the reef that protruded above the water.
He also used a long exposure to blur the water to create a smooth surface. Combined with the perfectly flat horizon and soft light, these little tricks aided in isolating the tree for a very strong composition.
Find a Focal Point
One of the best tips for composing better landscape photos is to ensure that your image has a strong focal point that grabs the attention of viewers.
In the image above, though it’s very pretty, it lacks a strong focal point. Instead of there being an object that our eyes go to immediately, we’re left looking at all the detail in the foreground without having a way to easily explore the rest of the shot.
In this image, though, you can see how adding a strong focal point totally changes the image. In this case, our eyes follow the leading lines created by the rocks in the foreground right to Andy, who has positioned himself perfectly in the photo to serve as the focal point of the image. Furthermore, because he’s looking in the direction of the sun, our eyes continue past him, along his focal plane, toward the right side of the shot from which the sun’s rays emanate.